Kiki Furlan
Kiki Furlan (born 2001; lives and works in Vienna)
Furlan works with textile processes, most notably felting, to translate everyday images and environments into tactile, slightly uncanny objects. Across floor-based works and sculptural installations, she treats the domestic and the “non-site” as malleable scenes: motifs are doubled, erased, and rebuilt, as if material were performing the quiet logic of image-editing. Her practice moves between sensory memory and constructed reality, where small shifts in a familiar surface can re-script what feels present, intimate, or true.
Recent and upcoming exhibitions include: Kunstraum Niederösterreich, Vienna (upcoming); Neuer Wiener Kunstverein, Vienna (upcoming), Doc 20, Lustenau (upcoming) (2026); Paris Internationale, Paris (2025); Frieze London, London (2024); Living Rooms, Gianni Manhattan, Vienna (solo) (2024); Sandcastle/Sandburg, oops gallery, Vienna (2024).
Furlan works with textile processes, most notably felting, to translate everyday images and environments into tactile, slightly uncanny objects. Across floor-based works and sculptural installations, she treats the domestic and the “non-site” as malleable scenes: motifs are doubled, erased, and rebuilt, as if material were performing the quiet logic of image-editing. Her practice moves between sensory memory and constructed reality, where small shifts in a familiar surface can re-script what feels present, intimate, or true.
Recent and upcoming exhibitions include: Kunstraum Niederösterreich, Vienna (upcoming); Neuer Wiener Kunstverein, Vienna (upcoming), Doc 20, Lustenau (upcoming) (2026); Paris Internationale, Paris (2025); Frieze London, London (2024); Living Rooms, Gianni Manhattan, Vienna (solo) (2024); Sandcastle/Sandburg, oops gallery, Vienna (2024).
Kiki Furlan (born 2001; lives and works in Vienna)
Furlan works with textile processes, most notably felting, to translate everyday images and environments into tactile, slightly uncanny objects. Across floor-based works and sculptural installations, she treats the domestic and the “non-site” as malleable scenes: motifs are doubled, erased, and rebuilt, as if material were performing the quiet logic of image-editing. Her practice moves between sensory memory and constructed reality, where small shifts in a familiar surface can re-script what feels present, intimate, or true.
Recent and upcoming exhibitions include: Kunstraum Niederösterreich, Vienna (upcoming); Neuer Wiener Kunstverein, Vienna (upcoming), Doc 20, Lustenau (upcoming) (2026); Paris Internationale, Paris (2025); Frieze London, London (2024); Living Rooms, Gianni Manhattan, Vienna (solo) (2024); Sandcastle/Sandburg, oops gallery, Vienna (2024).
Furlan works with textile processes, most notably felting, to translate everyday images and environments into tactile, slightly uncanny objects. Across floor-based works and sculptural installations, she treats the domestic and the “non-site” as malleable scenes: motifs are doubled, erased, and rebuilt, as if material were performing the quiet logic of image-editing. Her practice moves between sensory memory and constructed reality, where small shifts in a familiar surface can re-script what feels present, intimate, or true.
Recent and upcoming exhibitions include: Kunstraum Niederösterreich, Vienna (upcoming); Neuer Wiener Kunstverein, Vienna (upcoming), Doc 20, Lustenau (upcoming) (2026); Paris Internationale, Paris (2025); Frieze London, London (2024); Living Rooms, Gianni Manhattan, Vienna (solo) (2024); Sandcastle/Sandburg, oops gallery, Vienna (2024).
